Using technology and new media resources as a means of
reading and writing has been largely demonized as, at best, a poor use of our
time and detrimental to our skill as writers and thinkers and, at worse, an
indication of the ultimate degradation of our society. I am writing this essay
in response to those who would criticize the use of new media resources. I
would argue that rather than defining the “internet age” as either the saving
grace of literacy or its downfall, that the use of these technologies is
indicative of an entirely new form of literacy all together: one that promotes
writing with a combination of many different stylistic approaches. I am
assuming that the critics to which I write this essay are mostly teachers or
intellectuals of some sort and I will appeal to their “academia” with a well
written and organized essay as well as a plea, that as champions of learning,
they should allow me to grow and expand in my writing abilities through the
exploration of new mediums.
As human beings, we have this fear of
losing ourselves. A fear that someday our best intentions are going to
backfire, that our greatest inventions will be more than we can handle, or that
our wildest dreams will become our most terrible nightmares. In the eyes of some, the Internet has become
the pariah of literacy, a Pandora’s box, if you will. They fear this stunning
new technology will dazzle us with the riches of social interaction and
globalized communication or tempt us with its wealth of knowledge and
opportunity only to betray us when we dare to reach for the gifts it offers.
They fear that in using the Internet we have released upon ourselves the terrible
evils of illiteracy. These fears, though
grounded in logic, forget that there was some good to come out of Pandora’s
box. There remains a hope that those of us who are growing up in the internet
age will find some way to put our new toys to work for the betterment of
ourselves and our society.
The naysayers of the Internet fear that the
social networking-obsessed , blog-crazed, entertainment-based, and
gossip-centric ways of the Internet have made us shallow and narcissistic. They
are certain that we are more concerned with posting a picture of the latte we
just drank than we are with learning about what is happening in the world
around us. While I agree that Facebook is definitely an enabler of our
self-centered tendencies, I would also argue that these sites create a sort of
connection to one another that we have never had before. Users of the Internet
have become accustomed to the idea that what we do and say and read and write
on the Internet is globalized and we are not intimidated by that fact. As a
result, when we use the Internet we are consistently thinking of our audience
and the impact of what we will say. We are moved and inspired by this audience
and it shows through the way we think of writing and its purpose. As Andrea
Lundsford writes in her article, Our Semi-literate Youth? Not So Fast, “[Students] were increasingly aware
of those to whom they were writing and adjusted their writing styles to suit
the occasion and the audience. [They also] wanted their writing to count for
something; as they said to us over and over, good writing to them was
performative, the kind of writing that ‘made something happen in the world.’
Finally, they increasingly saw writing as collaborative, social, and participatory
rather than solitary”(1). People are recognizing and taking advantage of this
audience. Instead of working through official channels people are doing things
on their own. Kids are becoming world famous musicians through You-Tube (i.e.
Justin Beiber, regardless of what people may or may not think of his musical
talent, people cannot argue that he got his start on the Internet) People are
making movies and videos(i.e. Jenna Marbles and Red v. Blue), writing articles
and blogs( i.e. Tavi Williams, fashion blogger), that are gaining them
attention that they would not have been given by traditionalists. The Internet
is getting people connected and getting people talking, yes it has its
drawbacks, but what doesn’t? Let’s not throw the baby out with the bathwater.
Our professors should celebrate this new interest and
approach to writing and beyond that, professors should note the disparity
between the attitudes students have for their own writing as compared to their
classwork. As Lundsford mentions in her article, Performing
Writing, Performing Literacy, “Self-conscious and self-confident, students see
themselves as savvy, risk-taking writers when they reflect on their self-sponsored
writing activities As Alissa puts it: ‘I am more courageous in my out-of-class
writing’”(231). This sense of audience and purpose has drawn something out of
students that traditional classrooms have rarely done: it has given them the
courage to take risks when they write, to try new things and reach beyond their
comfort zones. Isn’t this supposed to be the environment that professors are
creating in the classroom? Instead “a lot of that learning (perhaps most
of it) is taking place outside of class, in the literate activities (musical
compositions, videos, photo collages, digital stories, comics, documentaries)
young people are pursuing on their own.”(Our Semi-literate Youth? Not So Fast). The traditional academic approach to
writing is out of touch with today’s youth. As Clive
Thompson notes in his article, The New
Literacy “The Stanford students were almost always less enthusiastic
about their in-class writing because it had no audience but the professor: It
didn't serve any purpose other than to get them a grade”(1). If the only
purpose to their writing is to get the grade and they’ve already acquired the
skills to do so, what need do students have to grow beyond what they already
know? Shouldn’t professors endeavor to prevent this kind of stagnation in their
students’ literacy? I myself have been frustrated by the stagnation I see in my
own writing. I find myself looking at a paper (that I got an A on) in
disappointment because I know I could do so much better. More often than not I
find my classwork stifling and unfulfilling. When I look at what’s popular on
the Internet(and even the novels in print) I know that what I’m writing now
won’t make the cut and if that’s the case, why on earth is it making the cut in
class? I’d rather get a D on a paper and actually learn something than get an A
for not trying. If writers, like myself, who are not finding an outlet for
their writing abilities in the classroom, are finding it on the Internet, why
should they be criticized?
Let’s say that the people who are actually writing on the Internet
aren’t the ones being criticized; that it’s only the people who are solely
using the Internet for their own selfish means who are being criticized. I say
that even if people aren’t doing anything productive online: even if all they
do is hang out on Facebook or Twitter all day long, they are still writing. Shouldn’t
professor encourage writing in all its forms, however little it may be? As
Thompson notes, “Online media are pushing literacy into cool directions. The
brevity of texting and status updating teaches young people to deploy
haiku-like concision.” Thompson also points out that, “Before the Internet came
along, most Americans never wrote anything, ever, that wasn't a school
assignment. Unless they got a job that required producing text (like in law,
advertising, or media), they'd leave school and virtually never construct a
paragraph again”(1).
Academic writing will always be important but it is not the
only type of writing that exists. Styles like journalism, poetry, feature
writing, play writing, script writing and creative writing have all been
accepted as legitimate writing styles that are beneficial to society. I would
argue that the writing we see on the Internet is no different. It is a new form
of literacy that connects people to each other in ways that have never been
seen before. As Andrew Sullivan writes in his article, Why I Blog, “For centuries, writers have
experimented with forms that evoke the imperfection of thought, the inconstancy
of human affairs, and the chastening passage of time. But as blogging evolves
as a literary form, it is generating a new and quintessentially postmodern
idiom that’s enabling writers to express themselves in ways that have never
been seen or understood before. Its truths are provisional, and its ethos
collective and messy. Yet the interaction it enables between writer and reader
is unprecedented, visceral, and sometimes brutal.” Though Sullivan is being
specific to blogs I believe it applies to the Internet as a whole. When one’s
audience has the potential of becoming so vast, the importance of one’s purpose
grows in proportion. Instead
of looking only at the problems the Internet brings I ask my peers and my
professors to be open-minded and realize the potential the Internet has for learning
and teaching. Once Pandora opened her box, she realized the terrors that lay there, but what was done could not be undone and all that remained was hope. Instead of delivering harsh criticism or reveling in a desire for the old days without digital media, we should adapt to the changing times and take hold of the hope that we can make something good out of the box that we have opened.
